- The Irony of Fate, or Enjoy Your Bath! (1975)
- The Woman Who Sings (1978)
- The Station Master (1972)
- The Lady with the Dog (1960)
- The Lover (1969)
- The House with the Mezzanine (1987)
- The Unfinished Piece for the Player Piano (1977)
- The Long Farewell (1971)
- The Fall of Otrar (1991)
- The Story of Asya Klyachina (1967)
Soviet cinema has always been known for its depth and complexity, often exploring themes of love, betrayal, and societal norms. This collection of films delves into the intricate world of mistresses, showcasing the emotional turmoil, societal pressures, and sometimes the unexpected beauty of these relationships. Each film offers a unique perspective on love outside the conventional boundaries, providing viewers with a rich tapestry of human emotions and moral dilemmas.
The Irony of Fate, or Enjoy Your Bath! (1975)
Description: This beloved New Year's Eve comedy features a love triangle where the mistress plays a pivotal role in the unfolding of events, showcasing the complexities of love and fate.
Fact: The film is traditionally watched by millions of Russians every New Year's Eve, and it's one of the most popular Soviet films of all time.
30 Days Free The Woman Who Sings (1978)
Description: A story of a famous singer who becomes involved with a married man, exploring the emotional and professional consequences of her affair.
Fact: The film was based on a play by Alexander Volodin and became one of the most successful Soviet melodramas.
30 Days Free The Station Master (1972)
Description: This adaptation of a Pushkin story includes a subplot where the station master's daughter becomes the mistress of a passing officer, highlighting the tragic consequences of such relationships.
Fact: The film was part of a series of adaptations of Pushkin's works, showcasing the timelessness of his themes.
30 Days Free The Lady with the Dog (1960)
Description: Based on Chekhov's story, this film explores the affair between a married man and a young woman, delving into the nuances of love and infidelity.
Fact: The film was one of the first Soviet films to openly address themes of adultery and love outside marriage.
30 Days Free The Lover (1969)
Description: A poignant tale of a woman who becomes the mistress of a man, exploring the emotional and moral complexities of their relationship.
Fact: The film was directed by Vladimir Motyl, known for his ability to capture the depth of human emotions.
30 Days Free The House with the Mezzanine (1987)
Description: This film, based on Chekhov's story, features a love triangle where the mistress's role is central to the narrative's development.
Fact: The film was part of a series of adaptations of Chekhov's works, showcasing the timelessness of his themes.
30 Days Free The Unfinished Piece for the Player Piano (1977)
Description: A Chekhovian drama where the mistress's presence disrupts the harmony of a country estate, leading to emotional turmoil.
Fact: The film was directed by Nikita Mikhalkov, who is known for his deep understanding of Chekhov's works.
30 Days Free The Long Farewell (1971)
Description: This film explores the relationship between a mother and her son, where the mother's past as a mistress plays a significant role in the narrative.
Fact: The film was directed by Kira Muratova, known for her unique and often controversial style.
30 Days Free The Fall of Otrar (1991)
Description: Set in medieval times, this epic drama includes a subplot where a mistress's influence leads to significant political and personal consequences.
Fact: The film was one of the last major Soviet productions before the dissolution of the USSR.
30 Days Free The Story of Asya Klyachina (1967)
Description: A complex narrative involving a woman who becomes the mistress of a man, leading to a series of tragic events.
Fact: The film was directed by Andrei Konchalovsky, who later became known for his work in Hollywood.
30 Days Free 
