- The Diamond Arm (1969)
- The Meeting Place Cannot Be Changed (1979)
- The Adventures of Sherlock Holmes and Dr. Watson (1980)
- The Cranes Are Flying (1957)
- The Twelve Chairs (1971)
- The Very Same Munchhausen (1979)
- The Pokrovsky Gate (1982)
- The Circus (1936)
- The Irony of Fate (1975)
- A Man from the Boulevard des Capucines (1987)
Dive into the world of Soviet cinema with this unique collection of films that take you behind the scenes of film studios. These movies not only entertain but also offer a glimpse into the creative processes, the lives of filmmakers, and the cultural significance of cinema in the USSR. Whether you're a cinephile or just curious about the art of filmmaking, this selection promises to enrich your understanding of Soviet film history.

The Diamond Arm (1969)
Description: This comedy by Leonid Gaidai features a film studio as a setting where the main character, an ordinary man, gets entangled in a spy plot. The film humorously depicts the chaos and creativity of a Soviet film set.
Fact: The film was one of the highest-grossing Soviet films of all time and is still beloved for its humor.


The Meeting Place Cannot Be Changed (1979)
Description: Although primarily a crime drama, this TV series by Stanislav Govorukhin includes scenes where characters interact with the film industry, providing a glimpse into the world of Soviet cinema.
Fact: It's one of the most popular Soviet TV series, known for its iconic characters and memorable music.


The Adventures of Sherlock Holmes and Dr. Watson (1980)
Description: This TV series by Igor Maslennikov includes scenes where the characters visit film studios, offering a unique perspective on Soviet film production during the late Soviet era.
Fact: The series was highly praised for its faithful adaptation of Conan Doyle's stories and its atmospheric depiction of Victorian London.


The Cranes Are Flying (1957)
Description: While not directly about a film studio, this film by Mikhail Kalatozov includes scenes of a film crew at work, offering a peek into the filmmaking process during WWII. It's a poignant story of love and loss, with a backdrop of the Soviet film industry.
Fact: The film won the Palme d'Or at the Cannes Film Festival in 1958, highlighting its international acclaim.


The Twelve Chairs (1971)
Description: This comedy by Leonid Gaidai features a scene where the main characters visit a film studio, showcasing the absurdity and creativity of Soviet filmmaking.
Fact: The film is based on a novel by Ilf and Petrov, which has been adapted multiple times, but Gaidai's version is considered the most iconic.


The Very Same Munchhausen (1979)
Description: This satirical film by Mark Zakharov features a film studio setting where the Baron Munchhausen character interacts with the film crew, providing a humorous look at Soviet cinema.
Fact: The film was a bold critique of Soviet bureaucracy and censorship, cleverly disguised as a fairy tale.


The Pokrovsky Gate (1982)
Description: This film by Mikhail Kozakov includes a subplot about a film studio, showcasing the bureaucratic and creative challenges faced by Soviet filmmakers during the Brezhnev era.
Fact: The film was critically acclaimed for its satirical take on Soviet life and bureaucracy.


The Circus (1936)
Description: This classic Soviet comedy by Grigori Aleksandrov follows the adventures of a young American actress who finds herself in a Soviet circus. The film showcases the behind-the-scenes work of a film studio, blending humor with a touch of political satire.
Fact: The film was one of the first Soviet films to be widely distributed in the West, and it was praised by Charlie Chaplin for its comedic timing.


The Irony of Fate (1975)
Description: While primarily a romantic comedy, this film by Eldar Ryazanov includes scenes where characters visit a film studio, providing insight into the daily life and work of Soviet filmmakers.
Fact: It's a New Year's Eve tradition in Russia to watch this film, making it a cultural phenomenon.


A Man from the Boulevard des Capucines (1987)
Description: This comedy by Alla Surikova is set in the early days of Soviet cinema, where an American cowboy arrives to teach the locals about filmmaking, leading to humorous and insightful scenes in a makeshift film studio.
Fact: The film was a box office hit, blending Western and Soviet cinema elements.
