10 Movies & Shows Like *The Killing* (1956)

10 Movies & Shows Like *The Killing* (1956) Similar movies

If you're a fan of the gripping crime thriller *The Killing* (1956), you'll love these 10 similar movies and shows that deliver the same tension, heist-driven plots, and noir-style storytelling. Whether you're drawn to intricate schemes, morally ambiguous characters, or high-stakes drama, this list has something for every fan of classic crime cinema.

The Maltese Falcon (1941)
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The Maltese Falcon (1941)

Description: A classic film noir featuring a hard-boiled detective navigating a web of deceit and crime, with a focus on moral ambiguity and a shadowy visual style.

Fact: It was the third adaptation of Dashiell Hammett's novel and is often credited with defining the film noir genre.

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Double Indemnity (1944)
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Double Indemnity (1944)

Description: A quintessential noir tale of betrayal and murder, driven by a cynical narrative and a doomed romance, set against a backdrop of insurance fraud.

Fact: The screenplay was co-written by Raymond Chandler and Billy Wilder, based on James M. Cain's novel.

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The Big Sleep (1946)
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The Big Sleep (1946)

Description: A labyrinthine plot filled with intrigue, femme fatales, and a detective unraveling a complex mystery, all wrapped in a moody, atmospheric setting.

Fact: The film's plot is famously convoluted, with even the screenwriters admitting they didn't fully understand who committed one of the murders.

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Out of the Past (1947)
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Out of the Past (1947)

Description: A dark, fatalistic story of a man trying to escape his past, featuring flashbacks, a seductive femme fatale, and a sense of inevitable doom.

Fact: The film was shot on location in California and Mexico, adding to its authentic, gritty feel.

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The Third Man (1949)
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The Third Man (1949)

Description: A post-war noir set in Vienna, with themes of betrayal and moral ambiguity, highlighted by striking black-and-white cinematography and a haunting zither score.

Fact: The iconic sewer chase scene was filmed in the actual sewers of Vienna, adding to the film's eerie realism.

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The Asphalt Jungle (1950)
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The Asphalt Jungle (1950)

Description: A heist film that delves into the lives of criminals, focusing on their flawed humanity and the inevitable unraveling of their plans.

Fact: The film was one of the first to portray criminals as complex, sympathetic characters rather than outright villains.

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Sunset Boulevard (1950)
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Sunset Boulevard (1950)

Description: A dark, satirical look at Hollywood's underbelly, with a washed-up screenwriter drawn into the delusional world of a faded silent film star.

Fact: The film's famous opening scene features a dead man narrating the story, a bold choice for its time.

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Strangers on a Train (1951)
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Strangers on a Train (1951)

Description: A psychological thriller about a chance meeting that leads to a deadly pact, exploring themes of duality and obsession.

Fact: The famous merry-go-round scene was achieved using a real carousel sped up to dangerous speeds, with the actors replaced by stuntmen.

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The Night of the Hunter (1955)
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The Night of the Hunter (1955)

Description: A chilling tale of good versus evil, with a charismatic but sinister preacher pursuing two children, blending noir aesthetics with gothic horror.

Fact: The film's striking visual style was inspired by German Expressionism, using light and shadow to create a nightmarish atmosphere.

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Touch of Evil (1958)
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Touch of Evil (1958)

Description: A gritty, morally complex crime story set on the U.S.-Mexico border, featuring a corrupt cop and a tense, unbroken opening shot.

Fact: The film's famous three-minute tracking shot was meticulously planned and took several days to perfect.

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