If you loved the wild, music-filled journey of 'It's All Gone Pete Tong' (2004), you're in for a treat! This article explores 10 movies and shows that capture the same electrifying energy, dark humor, and chaotic charm. Whether you're a fan of underground music scenes, unconventional storytelling, or flawed yet fascinating characters, these picks will keep you entertained. Dive in and discover your next favorite watch!

The Doors (1991)
Description: 'The Doors' and 'It's All Gone Pete Tong' both depict the rise and fall of music icons, with a focus on their self-destructive tendencies. While 'The Doors' is a more straightforward biopic of Jim Morrison, 'Pete Tong' uses satire to tell its fictional DJ's story.
Fact: Val Kilmer underwent extensive preparation to portray Jim Morrison, including learning to sing like him. The film's soundtrack features classic Doors songs. Oliver Stone directed the film, known for his dramatic and visually striking style.


Trainspotting (1996)
Description: Both 'Trainspotting' and 'It's All Gone Pete Tong' explore subcultures with a mix of dark humor and gritty realism. While 'Trainspotting' focuses on heroin addiction in Edinburgh, 'Pete Tong' examines the club and drug culture in Ibiza. Both films use stylized visuals and soundtracks to enhance their narratives.
Fact: The film is based on Irvine Welsh's novel of the same name. Ewan McGregor's breakout role was as Renton in 'Trainspotting'. The soundtrack includes iconic tracks by Iggy Pop, Lou Reed, and Underworld.


Go (1999)
Description: 'Go' and 'It's All Gone Pete Tong' share a fast-paced, multi-narrative structure that captures the chaotic energy of youth culture. Both films are set against the backdrop of nightlife and drug use, with 'Go' offering a more crime-centric plot compared to 'Pete Tong's' focus on the music industry.
Fact: The film is told from three different perspectives, intersecting at key moments. It features early performances by Katie Holmes and Timothy Olyphant. The soundtrack includes electronic and alternative tracks that complement the film's energetic tone.


High Fidelity (2000)
Description: Both 'High Fidelity' and 'It's All Gone Pete Tong' delve into the world of music obsessives. While 'High Fidelity' focuses on a record store owner's romantic and musical misadventures, 'Pete Tong' follows a DJ's rise and fall. Both films use music as a lens to explore personal identity and relationships.
Fact: The film is based on Nick Hornby's novel of the same name. John Cusack's character breaks the fourth wall, directly addressing the audience. The soundtrack features a mix of classic and alternative rock tracks.


Almost Famous (2000)
Description: Like 'It's All Gone Pete Tong', 'Almost Famous' is a coming-of-age story set in the music world. Both films explore the highs and lows of the music industry, with a focus on the personal journeys of their protagonists. 'Almost Famous' offers a more nostalgic and heartfelt take, while 'Pete Tong' is more satirical and darkly comedic.
Fact: The film is semi-autobiographical, based on director Cameron Crowe's experiences as a teenage journalist for Rolling Stone. Kate Hudson's performance as Penny Lane earned her an Academy Award nomination. The film won the Academy Award for Best Original Screenplay.


Groove (2000)
Description: Like 'It's All Gone Pete Tong', 'Groove' immerses viewers in the rave and electronic music scene. Both films celebrate the communal and transformative power of music, with 'Groove' offering a more optimistic and less satirical take on the culture.
Fact: The film is set in the San Francisco rave scene of the late 1990s. It features real-life DJs and electronic music artists in cameo roles. The soundtrack includes tracks by artists like DJ Shadow and BT.


24 Hour Party People (2002)
Description: Similar to 'It's All Gone Pete Tong' in its portrayal of the music scene, particularly the underground and rave culture. Both films explore the hedonistic lifestyles of their protagonists, set against the backdrop of a vibrant music scene. '24 Hour Party People' focuses on the Manchester music scene, much like 'Pete Tong' delves into the Ibiza club scene.
Fact: The film is a semi-fictional account of the rise and fall of Factory Records and the Manchester music scene. Steve Coogan plays Tony Wilson, the founder of Factory Records. The film features real-life events and characters from the Manchester music scene, including Joy Division and the Happy Mondays.


Control (2007)
Description: 'Control' and 'It's All Gone Pete Tong' both depict the tumultuous lives of music figures, with a focus on the darker aspects of fame and creativity. 'Control' is a biopic of Joy Division's Ian Curtis, offering a more somber and introspective look at the music world compared to 'Pete Tong's' satirical tone.
Fact: The film is shot in black and white, reflecting the stark aesthetic of Joy Division's music. Sam Riley, who plays Ian Curtis, learned to sing and perform like Curtis for the role. The film won the Caméra d'Or at the Cannes Film Festival.


The Boat That Rocked (2009)
Description: Shares the music-centric narrative and rebellious spirit of 'It's All Gone Pete Tong'. Both films celebrate the power of music to bring people together and challenge societal norms. 'The Boat That Rocked' focuses on pirate radio stations in the 1960s, while 'Pete Tong' explores the DJ culture of the 1990s.
Fact: The film is inspired by the real-life pirate radio stations that operated off the coast of the UK in the 1960s. It features an ensemble cast including Philip Seymour Hoffman and Bill Nighy. The soundtrack includes hits from The Who, The Kinks, and The Beatles.


Rudderless (2014)
Description: Both 'Rudderless' and 'It's All Gone Pete Tong' explore themes of redemption and the healing power of music. While 'Rudderless' deals with a father coping with loss through his son's music, 'Pete Tong' follows a DJ's journey through self-destruction and recovery.
Fact: The film marks Billy Crudup's directorial debut. The soundtrack features original songs written for the film. The story takes a dramatic turn that explores the impact of music on personal grief.
