Movies and Shows Similar to ‘You Are Not I’

Description: Features a highly stylized, expressionistic visual aesthetic that distorts reality, much like the dreamlike and disorienting tone of the reference film. The narrative also delves into themes of madness and control.

Fact: Considered one of the first true horror films and a landmark of German Expressionist cinema. The sets were designed to look like twisted, painted backdrops to enhance the surreal atmosphere.

Description: Uses a fragmented, non-linear narrative to create a sense of ambiguity and unreality. The film's lush yet cold visuals and themes of memory and time resonate with the reference film's tone.

Fact: The screenplay was written in the form of a poem, with no traditional dialogue or plot structure. The film's enigmatic style has inspired countless debates about its true meaning.

Description: Uses a haunting, low-budget aesthetic to create a sense of unease and otherworldliness. The film's themes of isolation and the supernatural resonate with the reference film's tone.

Fact: The film was largely ignored upon release but later gained a cult following as a masterpiece of indie horror. It was shot in just three weeks on a shoestring budget.

Description: Explores identity, duality, and the blurring of reality through its minimalist yet deeply psychological storytelling. The film's stark visuals and intense focus on its characters' inner lives create a similarly haunting experience.

Fact: The film was initially banned in some countries due to its controversial themes and imagery. It features one of the most analyzed and debated scenes in cinema history involving a broken film strip.

Description: Combines surreal imagery with a cryptic, allegorical narrative, creating a similarly disorienting and symbolic experience. The film's mix of violence, spirituality, and absurdity mirrors the reference film's tone.

Fact: The film was a major influence on the 'midnight movie' phenomenon of the 1970s. It was initially rejected by distributors for being too avant-garde but gained a cult following through word of mouth.

Description: Shares a surreal, nightmarish atmosphere with a focus on psychological horror and existential dread. The film's black-and-white cinematography and industrial soundscape create a similarly unsettling mood.

Fact: The film took five years to complete due to budget constraints and David Lynch's meticulous attention to detail. It was initially rejected by several studios for being too bizarre.

Description: Explores themes of paranoia, identity, and alienation through a claustrophobic and increasingly surreal narrative. The film's psychological tension and eerie visuals align with the reference film's mood.

Fact: The film was based on a novel by Roland Topor, who also contributed to the screenplay. It is the third in Roman Polanski's 'Apartment Trilogy,' though it is often overshadowed by the other two films.

Description: Delivers a meditative, slow-paced exploration of existential themes and human desire, wrapped in a mysterious, almost otherworldly setting. The film's atmospheric tension and philosophical depth align closely with the reference film's ethos.

Fact: The film was shot twice because the original footage was ruined during development. The Zone's eerie landscapes were filmed in abandoned industrial sites and power plants.

Description: Blurs the line between reality and hallucination, much like the reference film's surreal narrative. Its body horror and critique of media consumption add layers of psychological and physical unease.

Fact: The special effects were so groundbreaking that they earned the film an Academy Award nomination. The film's tagline, 'Long live the new flesh,' has become iconic in cult cinema.

Description: Features a labyrinthine, dreamlike narrative that challenges the viewer's perception of reality. The film's use of digital video and unsettling atmosphere creates a similarly immersive and disquieting experience.

Fact: The film was shot without a completed script, with actors often receiving directions on the day of filming. It is one of the longest commercially released films shot entirely on standard-definition digital video.