Confucianism, with its profound teachings on ethics, morality, and social harmony, has left an indelible mark on history. These films not only delve into the life and philosophy of Confucius but also illustrate how his ideas have shaped societies over centuries. From epic dramas to insightful biopics, this collection offers a cinematic journey through the enduring legacy of Confucianism, providing both entertainment and enlightenment for those curious about this ancient philosophy.

The Last Emperor (1987)
Description: This epic film, while focusing on the life of Puyi, the last Emperor of China, includes scenes where Confucian teachings are discussed, reflecting the cultural shift from Confucianism to Communism.
Fact: It was the first Western film ever permitted to shoot inside the Forbidden City in Beijing. It won nine Academy Awards, including Best Picture.


Farewell My Concubine (1993)
Description: This epic drama spans over 50 years of Chinese history, touching on Confucian themes like loyalty and duty, especially in the context of opera performers' lives.
Fact: The film was banned in China for a time due to its portrayal of homosexuality and its critical view of the Cultural Revolution.


The Banquet (2006)
Description: Although primarily a tale of revenge and political intrigue, this film subtly incorporates Confucian themes of loyalty, filial piety, and the moral dilemmas faced by individuals in power.
Fact: The film was directed by Feng Xiaogang, known for his ability to weave traditional Chinese elements into modern storytelling.


The First Emperor (2006)
Description: While not solely about Confucius, this film includes his teachings as it portrays the life of Qin Shi Huang, the first Emperor of China, who was influenced by Confucian thought. It provides a backdrop to understand the political and philosophical climate of the time.
Fact: The film was adapted from a play by David Henry Hwang and features a score by Tan Dun, who also composed for "Crouching Tiger, Hidden Dragon."


To Live (1994)
Description: This film, set during various periods of Chinese history, subtly reflects on Confucian values through the life of a family, showcasing the resilience and adaptability of these teachings in turbulent times.
Fact: Directed by Zhang Yimou, the film was banned in China for its critical portrayal of the Communist regime but was later released with edits.


The King of Masks (1996)
Description: While not directly about Confucius, this film explores themes of filial piety and the Confucian concept of "ren" (benevolence), through the story of an old street performer and his adopted granddaughter.
Fact: It was one of the first Chinese films to gain international acclaim, winning the Best Film award at the Golden Rooster Awards.


The Blue Kite (1993)
Description: This poignant film set during the Cultural Revolution subtly critiques the erosion of Confucian values under political upheaval, focusing on a family's struggle to maintain their traditions.
Fact: The film was banned in China for its depiction of the Cultural Revolution, but it has since gained critical acclaim internationally.


Confucius (2010)
Description: This biographical drama explores the life of Confucius, focusing on his later years when he traveled from state to state to spread his teachings. It captures the essence of his philosophy and its impact on Chinese culture.
Fact: The film was a major production with a budget of over $20 million, making it one of the most expensive Chinese films at the time. It was also submitted for the Best Foreign Language Film at the 83rd Academy Awards.


Raise the Red Lantern (1991)
Description: Set in the 1920s, this film examines the lives of concubines in a wealthy household, reflecting on Confucian values of hierarchy, obedience, and the struggle for personal identity within a rigid system.
Fact: The film was nominated for an Academy Award for Best Foreign Language Film and was praised for its visual style and thematic depth.


The Emperor's Shadow (1996)
Description: Set during the Warring States period, this film explores the relationship between the first Emperor of China and his court musician, reflecting on the influence of Confucian values on governance and personal relationships.
Fact: The film was a box office success in China and was praised for its historical accuracy and the portrayal of the complex relationship between the emperor and his musician.
